We researched our ‘Dubstep’ music genre using various internet sites to broaden our knowledge or what to expect from the style of music we are creating a video for.
History
Dubstep is a genre of electronic dance music that originated in south London, England. Its overall sound has been described as "tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals".
The earliest dubstep releases date back to 1998 and were darker, more experimental, instrumental dub remixes of 2-step garage tracks attempting to incorporate the funky elements of breakbeat, or the dark elements of drum and bass into 2-step, which featured B-sides of single releases. In 2001, this and other strains of dark garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night, which went on to be considerably influential to the development of dubstep. The term "dubstep" in reference to a genre of music began to be used by around 2002, by which time stylistic trends used in creating these remixes started to become more noticeable and distinct from 2-step and grime. It was labels Big Apple, Amunition and Tempa that began circulating the "dubstep" term.
How it became widely spread in England.
A very early supporter of the sound was BBC Radio 1 DJ John Peel, who started playing it from 2003 onwards. In 2004, the last year of his show, his listeners voted Distance, Digital Mystikz and Plastician (formerly Plasticman) in their top 50 for the year. Dubstep started to spread beyond small local scenes in late 2005 and early 2006; many websites devoted to the genre appeared on the internet and aided the growth of the scene, such as dubstepforum, the download site Barefiles and blogs such as gutterbreakz. Simultaneously, the genre was receiving extensive coverage in music magazines such as The Wire and online publications such as Pitchfork Media, with a regular feature entitled The Month In: Grime/Dubstep. Interest in dubstep grew significantly after BBC Radio 1 DJ Mary Anne Hobbs started championing the genre, beginning with a show devoted to it (entitled "Dubstep Warz") in January 2006.
Dubstep influence.
The influence of dubstep on more commercial or popular genres can be identified as far back as 2007, with artists such as Britney Spears using dubstep sounds; critics observed a dubstep influence in the song "Freakshow", from the 2007 album Blackout, which Tom Ewing described as "built around the 'wobbler' effect that's a genre standby." Benga and Coki's single "Night" still continued to be a popular track on the UK dance chart more than a year after its release in late 2007, still ranking in the top five at the start of April 2008 on Pete Tong's BBC Radio 1 dance chart list.
However the year 2009 saw the dubstep sound gaining further worldwide recognition, often through the assimilation of elements of the sound into other genres, in a manner similar to drum and bass before it. At the start of the year, UK electronic duo La Roux put their single "In for the Kill" in the remix hands of Skream.[78][79] They then gave remix duties of "I'm Not Your Toy" to Nero and then again with their single "Bulletproof" being remixed by Zinc. The same year, London producer Silkie released an influential album City Limits Vol. 1 on the Deep Medi label, using 70s funk and soul reference points, a departure from the familiar strains of dub and UK garage. A key factor in the rise of dubstep in the media was its exposure on video sharing websites, such as YouTube who provide access to many channels dedicated to dubstep, notably UKF Dubstep. The sound also continued to interest the mainstream press with key articles in magazines like Interview, New York, and The Wire, which featured producer Kode9 on its May 2009 cover. XLR8R put Joker on the cover of its December 2009 issue. By the end of 2009, The New York Times, XLR8R, NME and The Sunday Times all reviewed the genre.
In a move foreshadowed by endorsements of the sound from R&B, hip-hop and recently, mainstream figures such as Rihanna, or Public Enemy's Hank Shocklee, Snoop Dogg collaborated with dubstep producers Chase & Status, providing a vocal for their 'underground anthem' "Eastern Jam".[89] The 2011 Britney Spears track "Hold It Against Me" was also responsible for promoting dubstep tropes within a mainstream pop audience, Rihanna's Rated R album released such content the very year dubstep saw a spike, containing 3 dubstep tracks. Such events propelled the genre into the biggest radio markets overnight, with considerable airplay. Other hip-hop artists like Xzibit added their vocals to dubstep instrumental tracks for the mixtape project Mr Grustle & Tha Russian Dubstep LA Embrace The Renaissance Vol. 1 Mixed by Plastician. In summer 2009, female rapper and actress Eve used Benga's "E Trips"; adding her own verses over the beat to create a new tune called "Me N My"; the first single on her album Flirt. The track was co-produced by Benga and hip hop producer Salaam Remi.
Throughout 2010, dubstep was beginning to hit the pop charts, with "I Need Air" by Magnetic Man reaching number 10 in the UK singles chart. This presented a turning point in the popularity of mainstream dubstep amongst UK listeners as it was placed on rotation on BBC Radio 1. "Katy On a Mission" by Katy B (produced by Benga) followed, debuting at number 5 in the UK singles chart, and stayed in the top 10 for five more weeks. In February 2011, Chase & Status's second album No More Idols reached No.2 in the UK album chart. On May 1, 2011, Nero's third single "Guilt" from their album reached number 8 in the Official UK Singles Chart, their highest placing single to date. In April 2011, "dubbox", the industry's first application designed for the mobile creation of dubstep music, was released for the iPhone and reached the Top 25 Best Selling Music Apps in the UK its first week
For this and more information about the growth of Dubstep please click this web address: http://en.wikipedia.org/wiki/Dubstep
By Sam